Soundhouse’s origins can be traced back to the early 1980s when a graphic design student called Douglas Robertson was instrumental in the opening and operation of Edinburgh College of Art’s Wee Red Bar. He was also involved in organising the annual Art School Revels.

Fast forward to 2002 and Douglas, by then a photographer living in a converted shop on the edge of Holyrood Park, was asked to host a house concert for his old friend Dean Owens (pictured), one of Edinburgh’s best known and best regarded singer-songwriters. When Douglas’s other musician friends got to hear about Dean’s gig, they began asking if they could play in the house too.

As these musicians toured and told other musicians about playing in the house, more and more of them got in touch asking to entertain Douglas and his friends.

By 2012 Douglas and his partner Jane-Ann had put on literally hundreds of gigs in their house, welcoming bands from all over the world, and inviting audiences of friends to come and see them. Their ethos is always to treat the musicians well and ask for donations from audience members that go direct to the artists. As a result these musicians come back time and again to play their favourite gig. In 2012 Douglas and Jane-Ann dipped their collective toe into commercial promotion when they put on a gig at the Queen’s Hall for New Orleans blues legend and house favourite Chris Smither.

From 2013 Douglas and Jane-Ann started investigating a proper venue in Edinburgh where musicians can perform, rehearse and record. They wanted to encourage teaching and learning too through workshops and master classes for professional musicians, led by the very best exponents from around the world. The decision was made to set up The Soundhouse Organisation as a charity and they quickly put together a group of trustees made up of musicians and music lovers.

Finding a venue in Edinburgh does not prove easy, so at the end of 2014 The Soundhouse Organisation began putting on gigs in The Traverse Theatre Bar every Monday night. This swiftly became a very sought-after booking for local and international bands alike.

Since 2015 Soundhouse has been programming gigs for Edinburgh Tradfest and in 2019, took over the running of the Festival from TRACS (Traditional Arts and Culture Scotland). In 2019, by refocusing the Festival to a predominantly programmed music event, they doubled the audience for their gigs compared with 2018.

Description goes hereVia singer and vocal coach Heather Macleod the Soundhouse Choir was formed in 2016 which, Via singer and vocal coach Heather Macleod, the Soundhouse Choir was formed in 2016 which, despite setbacks due to the COVID-19 pandemic, continues to go from strength to strength. The choir’s current number is 120.

The choir collaborated on the video Enough is Enough with Karine Polwart and Oi Musica, a special project planned as a response to COP26 – the climate change conference scheduled to take place in Glasgow in 2020. The choir finally got to perform the song live with Karine and Oi Musica at the event in November 2021.

Other highlights include: recording with the actor Mark Bonnar, appearing with Justin Currie at the Usher Hall, performing at the Scottish Parliament and singing for the funeral procession of Janey Godley (Nov 24).

As you would expect, all gigs after early March 2020 were cancelled and Edinburgh Tradfest was curtailed because of COVID-19, however, our funding allowed the organisation to pay all the musicians their guarantees, put out an upbeat collaborative video to mark what would have been the start of the Festival (1 May) and produce Edinburgh Tradfest Spotlight. This was a season of four high-quality online gigs with artists who would have been part of Tradfest (streamed in October/November).

In 2021 Soundhouse built on the success of Edinburgh Tradfest Spotlight with another 10 online gigs, billed as Soundhouse Spotlight. These reflected the broadness of their usual programming featuring a wide spectrum of artists from the worlds of jazz, folk, classical, Americana and experimental music. They were supported by Creative Scotland.

It was hoped that Edinburgh Tradfest might be back in real life but it too was digital in May 21. This included presenting two online concerts, one livestream and one pre-recorded, and a very popular podcast! This programme was supported by Creative Scotland and the William Grant Foundation.

In August 2021 Soundhouse returned to gigs with live audiences in the outdoor/covered space of the Old College Quad (University of Edinburgh). This included co-promoting a series of 16 traditional music concerts with Edinburgh International Festival.

And in October/November 2021 in-person shows returned to the Traverse with a series of socially distanced live gigs supported by Creative Scotland and the William Grant Foundation. These concerts were also filmed and streamed via Traverse 3 (the Traverse’s digital theatre) in November/December 2021.

Building on the hybrid model of 2021, full audience concerts were back in 2022. After a short season at Riddles Court on the Royal Mile, funding from Creative Scotland and the William Grant Foundation allowed Soundhouse to put on a series of 10 concerts in The Traverse Theatre between March and June.

Punctuating this season was Edinburgh Tradfest in late April/early May which made a triumphant return to full power, increasing the audience by 30% on 2019 figures. And finally the ‘spring’ season was topped off with a return to The Traverse Bar at the end of June, the first time a show had been possible in that space for two years, three months and two weeks. It felt very good to be back!

2023 proved that audiences really want to see music live. Where other art forms may be struggling to get people to return after getting used to in-house entertainment during COVID-19, in our small corner of Edinburgh’s gig scene, box office returns are not giving cause for concern. In fact, our Festival Edinburgh Tradfest managed another 30% rise on 2022 and really hit its stride.

We also launched an audacious short notice assault on the Edinburgh Festival Fringe when we (and our friends at the Bellfield Brewery) took over the Rose Theatre in August and put on 48 gigs, all featuring bands from Scotland. It was surprisingly successful given the challenges of putting the programme together in about three weeks.

Our search for the elusive building in 2023 came closer than ever before, only to be held back by the byzantine workings of the Edinburgh property scene, and at the end of the year we threw the towel in on that particular ambition.

Considering that we were scaling down (a little) in 2024, it too became a landmark year. Edinburgh Tradfest broke its own record yet again (25% up on 2023), we produced four special concerts for Traverse 1, and launched a brand new festival in November. The Soundhouse Winter Festival featured artists from Scotland across the genres and proved that our mission to promote our own home grown artists was a winner. As Alex Bell famously wrote (of our Fringe run) in The Sunday Times in August 23, ‘This is real Scotland and it’s world class’. We hope to make SWF a regular event. Roll on 2025.